The appearance of female workers: clothing, adornment, and the embodied experience of labor in 20th-century Argentina

Authors

DOI:

https://doi.org/10.26563/dobras.v19i46.1993

Keywords:

Fashion, Appearance, Women workers, Argentina, 20th century

Abstract

This article analyzes the appearance of various working women in Argentina throughout the twentieth century. It proposes an approach that, drawing on visual studies, fashion studies, and women’s history, emphasizes how different groups of women who entered the labor market between 1920 and 1970 dressed, styled their hair, and wore makeup. Examining the appearance of factory workers, domestic servants, saleswomen, secretaries, and nurses provides a privileged avenue for accessing the subjectivities these women developed as they entered this new world of paid labor outside the domestic sphere. Our aim is to complicate traditional readings produced within the social history of labor and women’s history by shifting the focus to the ways in which working women dressed and presented themselves. The analysis of images and oral testimonies – gathered from interviews with different workers – centered on their practices of dress and adornment, allows us to capture instances of female agency that did not always conform to the heteropatriarchal patterns of domination imposed upon their bodies. Moreover, attending to these dimensions helps to better understand what entering the workplace, the possibility – or necessity – of dressing to appear in public, and access to consumer goods may have meant for many of them as unprecedented experiences of movement, visibility, and being in the world.

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Author Biography

Maria Isabel Baldasarre, Universidad Nacional de San Martín

Doctora en Historia del Arte y Licenciada en Artes por la Universidad de Buenos Aires. Es Investigadora de carrera del CONICET con sede en el Centro de Investigaciones en Arte y Patrimonio y profesora titular de la Escuela Interdisciplinaria de Altos Estudios Sociales, Universidad Nacional de San Martín. Es autora de los libros: Los dueños del arte. Coleccionismo y consumo cultural en Buenos Aires, Buenos Aires, Edhasa, 2006, y Bien vestidos. Una historia visual de la moda en Buenos Aires (1870-1914), Buenos Aires, Ampersand, 2021.

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A imagem apresenta uma composição artística abstrata, dominada por tons intensos de vermelho, rosa e azul-escuro. Sobre as camadas de tinta e textura, há traços e manchas expressivos, com inscrições manuscritas sobrepostas, parcialmente legíveis. À direita, na vertical, aparece a palavra “[dossiê]” em letras brancas. A pintura tem aparência de uma mistura de cores vibrantes e gestos pictóricos, evocando profundidade e movimento.

Published

2026-03-31

How to Cite

BALDASARRE, Maria Isabel. The appearance of female workers: clothing, adornment, and the embodied experience of labor in 20th-century Argentina. dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda, [S. l.], v. 19, n. 46, p. 138–162, 2026. DOI: 10.26563/dobras.v19i46.1993. Disponível em: https://dobras.emnuvens.com.br/dobras/article/view/1993. Acesso em: 31 mar. 2026.

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