Chronotopic subversion in Bride of Frankenstein

Authors

  • José Gatti

DOI:

https://doi.org/10.26563/dobras.v6i14.56

Keywords:

horror film, art direction, politics of representation.

Abstract

This essay seeks to define and identify elements of chronotopic subversion in film. For that task, concepts proposed by Mikhail Bakhtin, Lezama Lima and Ismail Xavier will be used in a textual analysis of Bride of Frankenstein (James Whale, 1935)

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References

BAKHTIN, M. Questões de literatura e de estética. São Paulo: Unesp/Hucitec, 1993.

LIMA, J. L. Las eras imaginarias. Madri: Fundamentos, 1971.

XAVIER, I. O discurso cinematográfico: a opacidade e a transparência. Rio de Janeiro: Paz e Terra, 1977.

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Published

2013-01-05

How to Cite

GATTI, J. Chronotopic subversion in Bride of Frankenstein. dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda, [S. l.], v. 6, n. 14, p. 62–69, 2013. DOI: 10.26563/dobras.v6i14.56. Disponível em: https://dobras.emnuvens.com.br/dobras/article/view/56. Acesso em: 23 nov. 2024.

Issue

Vol. 6 No. 14 (2013)

Section

Articles

License

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