Fashioning identity: sartorial symbolism and cultural negotiation in Tanzimat literature of the Ottoman Empire
DOI:
https://doi.org/10.26563/dobras.v18i44.1854Schlagworte:
Tanzimat literature, Sartorial symbolism, Ottoman modernization, Semiotics, MimicryAbstract
This article explores sartorial symbolism in Tanzimat-era literature (1860-1896) within the Ottoman Empire. The research analyzes sartorial choices as narrative devices in three pivotal Tanzimat novels: The Carriage Affair (Araba Sevdası) by Recaizade Mahmut Ekrem, Mister Felâtun and Master Râkım (Felâtun Bey ve Râkım Efendi) by Ahmet Mithat Efendi, and Dandy (Şık) by Hüseyin Rahmi Gürpınar. Drawing on Barthes’ semiotic framework, it positions fashion as a performative act that inscribes cultural myths onto the body, articulating narratives of identity, power and transformation. By analyzing sartorial symbolism as a visual grammar, the study employs a comparative character analysis of the alafranga and the Ottoman gentleman (alaturka) archetypes. The research further offers a novel interpretation of Tanzimat novels by combining sartorial symbolism with Homi Bhabha’s postcolonial theories of mimicry and hybridity (third space). It introduces three novel concepts -superficial mimicry, excessive mimicry, and harmonious hybridization- symbolized by the characters in the novels. This interdisciplinary approach aims to bridge literary analysis, historical context, postcolonial theories and fashion studies.
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