Modelando a identidade: simbolismo vestimentar e negociação cultural na literatura do período Tanzimat no Império Otomano
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https://doi.org/10.26563/dobras.v18i44.1854Palavras-chave:
Literatura do Tanzimat, Simbolismo vestimentar, Modernização otomana, SemióticaResumo
Este artigo explora o simbolismo da indumentária na literatura da era Tanzimat do Império Otomano. A pesquisa analisa as escolhas de indumentária como dispositivos narrativos em três romances fundamentais do Tanzimat: The Carriage Affair (Araba Sevdası), de Recaizade Mahmut Ekrem, Mister Felâtun and Master Râkım (Felâtun Bey ve Râkım Efendi), de Ahmet Mithat Efendi, e Dandy (Şık), de Hüseyin Rahmi Gürpınar. Com base na estrutura semiótica de Roland Barthes, encaramos a moda como um ato performativo que inscreve mitos culturais no corpo, articulando narrativas de identidade, poder e transformação. Ao analisar o simbolismo da indumentária como uma gramática visual, o estudo emprega uma análise comparativa do caráter dos arquétipos do alafranga e do cavalheiro otomano. Além disso, a pesquisa oferece uma nova interpretação dos romances Tanzimat, combinando o simbolismo da indumentária com as teorias pós-coloniais de Homi Bhabha sobre mimetismo e hibridismo. Apresentamos três conceitos, mimetismo superficial, mimetismo excessivo e modernização equilibrada, simbolizados pelos personagens dos romances. Essa abordagem interdisciplinar une análise literária, contexto histórico, teorias pós-coloniais e estudos de moda.
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