Menos que zero. Afeto impessoal no estilo autoral de Hedi Slimane
DOI:
https://doi.org/10.26563/dobras.v11i24.775Palavras-chave:
Hedi Slimane, fotografia, queer, afeto, estilo.Resumo
Este artigo propõe uma leitura crítica do trabalho fotográfico do diretor criativo Hedi Slimane ao desvendar a relação entre seu (des-) envolvimento fotográfico com os seus temas e o emprego em suas imagens de um estilo de afeto impessoal que reduz a participação do espectador ao mínimo. Inicio minha análise com uma visão geral do surgimento do diretor criativo como uma figura de estrelato na indústria da moda na virada do século XXI, e prossigo com uma investigação sobre a iconografia autoral fabricada por Slimane por meio de suas fotografias nos últimos dez anos. Enfrentando o intrincado vínculo de estilo e masculinidade contra o pano de fundo das preocupações teóricas queer, ofereço uma leitura crítica de suas principais antologias fotográficas dos últimos dez anos: Rock Diary (2008) e Anthology of a Decade (2011). Concluo este artigo com uma reflexão sobre a autonarrativa de Slimane no contexto da problemática relação entre as biografias dos designers e a historiografia da moda.
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