The death of James Lee Byars: image of the (dis)apparition of the self

Authors

  • Angélica Oliveira Adverse

DOI:

https://doi.org/10.26563/dobras.v11i23.713

Keywords:

Performance, apparition-disappearance, ritual-clothe.

Abstract

This article problematizes the notion of the aesthetics of the disappearance coming from the performance The Death of James Lee Byars (1994). We will begin with the attempt of the figuration of the death of the artist James Lee Byars (1933-1997) to understand his attempt to achieve the perfection of gestures and forms. We want to examine the artist’s search for the essence of the absence-presence: a body that appears and a body that disappears.

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References

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Published

2018-05-22

How to Cite

ADVERSE, A. O. The death of James Lee Byars: image of the (dis)apparition of the self. dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda, [S. l.], v. 11, n. 23, p. 100–121, 2018. DOI: 10.26563/dobras.v11i23.713. Disponível em: https://dobras.emnuvens.com.br/dobras/article/view/713. Acesso em: 22 jul. 2024.

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Section

Articles