Immanence and animal-becoming in the work of Alexander McQueen

Authors

  • Fábio Parode
  • Ione Bentz
  • Maximiliano Zapata

DOI:

https://doi.org/10.26563/dobras.v8i17.12

Keywords:

fashion, McQueen, culture, the becoming, sustainability.

Abstract

This essay seeks to understand aspects of construction of meaning in Englishman fashion designer Alexander McQueen’s work. To address this problem, we have established a link between the fields of fashion and philosophy, as well as we articulated notions of aesthetic, immanence, semiotics and design. Considering that McQueen questioned the sustainable development process of the planet, we will speculatively address concepts and symbolic values in his works in order to focus the issue of cultural drift and mutation of the human species. In the scope of this essay, organized into four thematic sections – the immanence and the becoming; the tragic and the drift; the hybrid and the mad; sustainability and crisis – we will question about McQueen’s semiotic theme in relation to sustainability, seeking immanent content to the designer’s speech.

Downloads

Download data is not yet available.

References

ESPINOZA, B. Traité politique. Paris: Librairie générale française, 2002.

DELEUZE, Gilles. Francis Bacon: logique de la sensation. Paris: Éditions de la Différence, 1981. Tome 1.

______. O que é a filosofia? Rio de Janeiro: Ed. 34, 1992.

______ ; GUATTARI, Félix. Mille plateaux: capitalisme et schizophrenie 2. Paris: Les Éditions de Minuit, 1980.

______; ______. Mil platôs: capitalismo e esquizofrenia. São Paulo, Ed. 34, 1995. v. 1.

LEROI-GOURHAN, André. Le geste et la parode: I. Technique et langage. Paris: Albin Michel, 1964.

PARODE, Fábio. Arte como dispositivo de poder. In: SILVA, Alexandre Rocha da; BENTZ, Ione (Org.). Percursos semióticos: significação, codificação semiose e interface. São Paulo: Kazuá, 2012.

PLATÃO. Timeu-Crítias. Coimbra: Centro de Estudos Clássicos e Humanitários da Universidade de Coimbra, 2011.

SVENDSEN, Lars. Moda, uma filosofia. Rio de Janeiro: Zahar, 2010.

artigo ] FÁBIO PARODE | IONE BENTZ | MAXIMILIANO ZAPATA

Published

2015-10-27

How to Cite

PARODE, F.; BENTZ, I.; ZAPATA, M. Immanence and animal-becoming in the work of Alexander McQueen. dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda, [S. l.], v. 8, n. 17, p. 73–80, 2015. DOI: 10.26563/dobras.v8i17.12. Disponível em: https://dobras.emnuvens.com.br/dobras/article/view/12. Acesso em: 26 nov. 2024.

Issue

Section

Articles