Fashion and city: an identification of styles in the urban atmospheric zones
DOI:
https://doi.org/10.26563/dobras.i36.1615Keywords:
Fashion, Styles, Spatiality, Ambiances, Body, Pop cultureAbstract
Our reflection tends to put into perspective an organic vision of the city through the relationship body-fashion-urban space that focuses on a visual attention made of looks, observations and images. Understanding this relationship means identifying signs, symbols and codes that constitute and particularize the urban atmosphere showing an aesthetic experience of the city and social life. Through various examples ranging from the particularization of clothing styles, to the Instagram phenomenon as a form of display, to corporeality, pop culture particularity and urban aesthetic zones, the aim is to show the forms of the visibility of a process of aestheticization of life and the city characterising the spirit of our time.
Downloads
References
BOLLNOW, Otto. Mensch und Raum. Stuttgart: Kohlhammer, 1963. Trad ang. Human Space. London: Hyphen Press, 2011.
CIDREIRA, Renata. Vêtements ‘’en scène’’ : La dimension spectaculaire de l’habillement. Sociétés, N°103/1. Bruxelles : De Boeck, 2009, pp. 59-67.
DURAND, Gilbert. Les structures anthropologiques de l’imaginaire. Paris: PUF, 1960.
FERNANDES, Cíntia S.; DE OLIVEIRA, Hugo S.; BARROSO, Flávia M. Os Relíquias do passinho: táticas e performances do corpo que dança. Esferas, n. 19, p. 44-53, 8 fev. 2021.
FERNANDES, Cíntia S. Raison sensible, expérience sensible: la Galerie du Rock comme un espace de sociabilité. Sociétés, N°109/3. Bruxelles: De Boeck, 2010, pp. 63-76.
GIDDENS, Anthony. Modernity and Self-Identity. Stanford: Stanford University Press, 1991.
GOFFMAN, Erving. La mise en scène de la vie quotidienne. Paris: Éditions de Minuit, 1966.
GRIFFERO, Tonino. Atmospheres: Aestetics of Emotional Spaces. London: Routledge, 2016.
HEIDEGGER. Martin. Être et temps [1927]. Paris : Authentica, 1986.
LA ROCCA, Fabio. Configurations de l’univers de la culture pop : pour une archétypologie des formes du Roi clandestin contemporain. Sociétés, N°146/4. Bruxelles : De Boeck, 2019, pp. 75-90.
LA ROCCA, Fabio. A cidade em todas suas formas. Porto Alegre: Sulina, 2018.
LIPOVETSKY, Gilles. L’empire de l’éphémère. La mode et son destin dans les sociétés modernes. Paris: Gallimard, 1987.
MAFFESOLI, Michel. Le temps des tribus. Paris: Méridiens-Klincksieck, 1988.
MAFFESOLI, Michel. L’ordre des choses. Penser la postmodernité. Paris: CNRS Éditions, 2014.
MAUSS, Marcel. Notion de technique du corps. Journal de Psychologie. XXXII 3-4, 1936.
MERLEAU-PONTY, Maurice. Phénoménologie de la perception. Paris: Gallimard, 1945.
SCHMITZ, Hermann. Atmospheric Spaces, Ambiances [En ligne], 2015. DOI : https://doi.org/10.4000/ambiances.711
SCHÜTZ, Alfred. Le chercheur et le quotidien. Phénoménologie des sciences sociales. Paris: Méridiens-Klincksieck, 2008.
SIMMEL, Georg. Sociologie. Étude sur les formes de socialisation. Paris: PUF,1981.
SIMMEL, Georg [1899]. Philosophie de la mode. Paris: Allia, 2013.
SIMMEL, Georg. La Parure et d’autres essais. Traduction de Michel Colomb, Philippe Marty, Florence Vinas, Paris: Edition de la Maison des sciences de l’homme, 2019.
TARDE, Gabriel [1890]. Les lois de l’imitation. Paris: Félix Alcan, rééd., Paris: Kimé, 1993.
VEBLEN, Thorstein [1899]. Théorie de la classe de loisir. Paris : Gallimard, 1970.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The copyrights of the works published in this journal belong to the author, and dObra[s] holds the rights of first publication. Due to their publication in this open access journal, any work here is free to use, with its own attributions, in educational and non-commercial applications.
