No. 36 (2022)

• Expediente

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Editorial

• Corpos que (re)existem

  DOI: https://doi.org/10.26563/dobras.i36.1599

  Carina Borges Rufino, Maria Claudia Bonadio

  5-7

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Apresentação Dossiê

• Appearance, fashion, image and corporal politeism

  DOI: https://doi.org/10.26563/dobras.i36.1602

  Beatriz Ferreira Pires, Renata Pitombo Cidreira

  8-12

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Dossier

• Contingent aspects about the tragic dimension of style: the body and the surfaces of appearance

  DOI: https://doi.org/10.26563/dobras.i36.1603

  Etevaldo Santos Cruz

  13-28

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• La SAPE: wear to resist, resist to exist

  DOI: https://doi.org/10.26563/dobras.i36.1604

  Angélica Adverse

  29-54

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• The (dis)order of the body: seams between fashion and gender

  DOI: https://doi.org/10.26563/dobras.i36.1605

  Pâmela Tavares de Carvalho, Luciana Carmona Garcia

  55-76

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• From Nymph to ragpicker: fallen drapery, between fashion remains and traces of Art

  DOI: https://doi.org/10.26563/dobras.i36.1606

  Joana Bosak, Ana Carolina Cruz Acom

  77-95

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• (Un)covered bodies: fashion and masculinities in an ethnographic propose

  DOI: https://doi.org/10.26563/dobras.i36.1607

  Álamo Bandeira, Walter Franklin M. Correia

  96-124

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• The performances of plus size fashion digital influencers on the digital platform Instagram

  DOI: https://doi.org/10.26563/dobras.i36.1608

  José Carlos Ribeiro, Mariana Matos

  125-143

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• Fashion and manners in Socila: body hexis and the façade of elegance

  DOI: https://doi.org/10.26563/dobras.i36.1609

  Maria Carolina Medeiros, Tatiana Siciliano

  144-163

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• From parading techniques to body leaks

  DOI: https://doi.org/10.26563/dobras.i36.1610

  Renata Costa Leahy

  164-182

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• Body, performance, and fashion advertising photography: the aura of luxury in youth and popular market brands

  DOI: https://doi.org/10.26563/dobras.i36.1611

  Roberta Del-Vechio, Rafael José Bona

  183-203

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• Between photography and fashion: from the dual principle to the fashion image in Steichen and Poiret

  DOI: https://doi.org/10.26563/dobras.i36.1612

  Luiza Marcier, Carlos Eduardo Félix da Costa, Rafaela Travassos Sarinho

  204-220

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• Contemporary Jewelry Laboratory: the body as raw material of invention

  DOI: https://doi.org/10.26563/dobras.i36.1613

  Wadson Gomes Amorim, Flávia Marieta Magalhães Rigoni, Maria Regina Álvares Correia Dias

  221-242

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• Framing denudation. Tensioning the nudity/dress apparatus on the concert outfits made by Fábia Bercsek for the musical performance of Laura Diaz (Teto Preto)

  DOI: https://doi.org/10.26563/dobras.i36.1614

  Renato Gonçalves Ferreira Filho

  243-257

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• Fashion and city: an identification of styles in the urban atmospheric zones

  DOI: https://doi.org/10.26563/dobras.i36.1615

  Fabio La Rocca

  258-270

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• Do monsters wear clothes? The costume in the monster and the monstrosity in the costume

  DOI: https://doi.org/10.26563/dobras.i36.1616

  Jorge Leite Jr

  271-298

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Articles

• You wear what you are: Identity and clothing consumption in the capsule-wardrobe adoption process

  DOI: https://doi.org/10.26563/dobras.i36.1617

  Érica Maria Calíope Sobreira, Clayton Robson Moreira da Silva, Áurio Lúcio Leocádio

  300-319

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• Peripheral Bodies are an Equivocation! About the impossibility of burying the arrival of the favela on the fashion catwalks

  DOI: https://doi.org/10.26563/dobras.i36.1618

  Cristiane Maria Medeiros Laia

  320-336

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Galeria

• Galery

  DOI: https://doi.org/10.26563/dobras.i36.1619

  Beatriz Ferreira Pires

  337-350

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