No. 36 (2022)

View No. 36 (2022)
Published: 2022-12-05

Full Issue

Editorial

  • Corpos que (re)existem

    Carina Borges Rufino, Maria Claudia Bonadio
    5-7
    DOI: https://doi.org/10.26563/dobras.i36.1599

Apresentação Dossiê

  • Appearance, fashion, image and corporal politeism

    Beatriz Ferreira Pires, Renata Pitombo Cidreira
    8-12
    DOI: https://doi.org/10.26563/dobras.i36.1602

Dossier

  • Contingent aspects about the tragic dimension of style: the body and the surfaces of appearance

    Etevaldo Santos Cruz
    13-28
    DOI: https://doi.org/10.26563/dobras.i36.1603

  • La SAPE: wear to resist, resist to exist

    Angélica Adverse
    29-54
    DOI: https://doi.org/10.26563/dobras.i36.1604

  • The (dis)order of the body: seams between fashion and gender

    Pâmela Tavares de Carvalho, Luciana Carmona Garcia
    55-76
    DOI: https://doi.org/10.26563/dobras.i36.1605

  • From Nymph to ragpicker: fallen drapery, between fashion remains and traces of Art

    Joana Bosak, Ana Carolina Cruz Acom
    77-95
    DOI: https://doi.org/10.26563/dobras.i36.1606

  • (Un)covered bodies: fashion and masculinities in an ethnographic propose

    Álamo Bandeira, Walter Franklin M. Correia
    96-124
    DOI: https://doi.org/10.26563/dobras.i36.1607

  • The performances of plus size fashion digital influencers on the digital platform Instagram

    José Carlos Ribeiro, Mariana Matos
    125-143
    DOI: https://doi.org/10.26563/dobras.i36.1608

  • Fashion and manners in Socila: body hexis and the façade of elegance

    Maria Carolina Medeiros, Tatiana Siciliano
    144-163
    DOI: https://doi.org/10.26563/dobras.i36.1609

  • From parading techniques to body leaks

    Renata Costa Leahy
    164-182
    DOI: https://doi.org/10.26563/dobras.i36.1610

  • Body, performance, and fashion advertising photography: the aura of luxury in youth and popular market brands

    Roberta Del-Vechio, Rafael José Bona
    183-203
    DOI: https://doi.org/10.26563/dobras.i36.1611

  • Between photography and fashion: from the dual principle to the fashion image in Steichen and Poiret

    Luiza Marcier, Carlos Eduardo Félix da Costa, Rafaela Travassos Sarinho
    204-220
    DOI: https://doi.org/10.26563/dobras.i36.1612

  • Contemporary Jewelry Laboratory: the body as raw material of invention

    Wadson Gomes Amorim, Flávia Marieta Magalhães Rigoni, Maria Regina Álvares Correia Dias
    221-242
    DOI: https://doi.org/10.26563/dobras.i36.1613

  • Framing denudation. Tensioning the nudity/dress apparatus on the concert outfits made by Fábia Bercsek for the musical performance of Laura Diaz (Teto Preto)

    Renato Gonçalves Ferreira Filho
    243-257
    DOI: https://doi.org/10.26563/dobras.i36.1614

  • Fashion and city: an identification of styles in the urban atmospheric zones

    Fabio La Rocca
    258-270
    DOI: https://doi.org/10.26563/dobras.i36.1615

  • Do monsters wear clothes? The costume in the monster and the monstrosity in the costume

    Jorge Leite Jr
    271-298
    DOI: https://doi.org/10.26563/dobras.i36.1616

Articles

Galeria

  • Galery

    Beatriz Ferreira Pires
    337-350
    DOI: https://doi.org/10.26563/dobras.i36.1619