Fashion photography: standards and genre innovation

Authors

  • Daniela Bracchi

DOI:

https://doi.org/10.26563/dobras.v6i14.59

Keywords:

photography, fashion, advertising, Marc Jacobs.

Abstract

From the consideration of fashion photography as an image genre, this paper investigates some of the patterns established over time and the ruptures that happened in the 1990s, putting these images in dialogue with other styles of photos. Some notes on the images of the advertising material for the Marc Jacobs brand, created by german photographer Juerger Teller, seek to explain some characteristics of fashion photography and the current role of the consumer in understanding these images

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References

BARTHES, R. Sistema da moda. São Paulo: Companhia Editora Nacional/Edusp, 1980.

BRIGHT, S. Art photography now. Nova York: Aperture, 2005.

CAMPANY, D. Safety in numbness: some remarks on problems of “Late Photography”. In: ______.(Ed.). The cinematic. Cambridge/Massachusetts: MIT, 2007, p. 185-194.

GREIMAS, A. J.; COURTÉS, J. Dicionário de semiótica. São Paulo: Contexto, 2008.

LAROCCA, A. Straight shooter. NYMagcom, 17 ago. 2008. Disponível em: <http://nymag.com/fashion/08/fall/49257>. Acesso em: 5 jul. 2013.

SHINKLE, E. Fashion as photograph. Londres: I. B. Tauris, 2008. DOI: https://doi.org/10.5040/9780755696420

Published

2013-01-05

How to Cite

BRACCHI, D. Fashion photography: standards and genre innovation. dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda, [S. l.], v. 6, n. 14, p. 94–97, 2013. DOI: 10.26563/dobras.v6i14.59. Disponível em: https://dobras.emnuvens.com.br/dobras/article/view/59. Acesso em: 3 jul. 2024.

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Articles