Fashion Mix: the exposition about the contribution of the immigrants to the parisian fashion
DOI:
https://doi.org/10.26563/dobras.v9i20.483Keywords:
Fashion, Museums, Immigration, Capital of Fashion.Abstract
The exhibit Fashion Mix, mode d’ici, créateurs d’ailleurs, heldatthe Musée de l’Histoire de l’Immigration, Paris, from December/2014 to June/2015, reflects the organizing effort to articulate fashion andim migration subjects. The show exhibited haute couture clothes signed by immigrated designers, who contributed to consolidate Paris as the “capital of fashion”. The exhibit’s proposal was to remind visitors the importance of immigration to the French fashion industry. The purpose of this article is to expatiate about the exhibition through its narrative, considering the complex scenario of immigration in France.
Downloads
References
AZZI, Christine Ferreira. Vitrines e coleções: quando a moda encontra o museu. Rio de Janeiro: Memória Visual, 2010.
BARTHIER, Delphine. Paris, capitale de la mode. Construction de savoir-faire et remise en question du mythe de la Ville-Lumière. Mémoire ecrit sous la direction de Claire Toupin-Guyot. Paris: SciencePo Rennes, 2013/14.
BENJAMIN, Walter. Paris: capital of the nineteenth century. In.: Perspecta, vol. 12,1969. MIT Press, University of Yale, pp. 163-172. DOI: https://doi.org/10.2307/1566965
BOURDIEU, Pierre. A distinção: crítica social do julgamento. São Paulo: Edusp, 2007.
DEJEAN, Joan. A essência do estilo: como os franceses inventaram a alta-costura, a gastronomia, os cafés chiques, o estilo, a sofisticação e o glamour. Rio de Janeiro: Civilização Brasileira, 2010.
DIAS, N. Looking at objects: memory, knowledge in nineteenth-century ethnographic displays. In: ROBERTSON, G. et al(Orgs.).Traveller’s tales: narratives of home and displacement. Routledge, 1994. pp. 164-176.
GONÇALVES, José Reginaldo Santos. Antropologia dos objetos: coleções, museus e patrimônios. Rio de Janeiro: Coleção Museus e Patrimônios, 2007.
GREEN, Nancy. Les americains de Paris: hommes d’affaires, comtesses e jeunes oisifs 1880-1941. Paris: Gallimard, 1994.
GRUNSON, Luc. Un musée peut-il changer les representations sur l’immigration? In.: Revue Hommes & Migrations. Dossiê: L’immigration dans les musées: une comparaison international, n. 1293, set./out.,
JORDANOVA, L. Objects of knowledge. In: VERGO, P. (Org.). The new museology Londres: Reaktion Books, 1989. pp. 22-40.
LAVER, James. A roupa e a moda: uma história concisa. São Paulo: Companhia das Letras, 1989.
LIPOVETSKY, Gilles. O império do efêmero: a moda e seu destino nas sociedades modernas. São Paulo: Companhia da Letras, 1989.
LOPES, Ana Patricia Q. Exposições universais parisienses oitocentistas. Prova final Licenciatura em Arquitetura. fARQ, FETUC. Coimbra, 2007.
NOIRIEL, Gérard. État, nation et immigration. Paris: Gallimard, 2005.
_______. Qu’est-ce qu’une nation?. Paris: Bayard, 2015.
POINSOT, Marie. Paris et la mode, une relation capitale? Entretien avec Olivier Saillard, directeur du Palais Galliera, Musée de la Mode de la Ville de Paris, et commissaire general de l’exposition Fashion Mix au Palais de la Porte Dorée. In: Revue Hommes & Migrations. Dossiê: Fashion Mix, n. 1310, abr.,maio, jun., 2015.
TODD, Emmanuel. Le destin des immigrés. Paris: Editions du Seuil, 1994.
WILLIAMS, Rosalind. Dream Worlds:mass consumption in late nineteenth-Century-France. Berkeley: University of California Press, 1982. DOI: https://doi.org/10.1525/9780520341555
MATERIAL DA IMPRENSA FRANCESA:
Nous ne pouvons rester silencieux. Gérard Noiriel explique sa décision de quitter la future Cité de l’Histoire de l’Immigration. Libération, 24 maio 2007.
LECLÉRE, Thierry. Demissions et crise d’identité a la future Cité de l’Immigration. Télérama, 6 jun. 2007.
PÈNE, Clémence. Immigration: une cité sous tension. L’Express, 16 ago. 2007.
Downloads
Published
How to Cite
Issue
Section
License
The copyrights of the works published in this journal belong to the author, and dObra[s] holds the rights of first publication. Due to their publication in this open access journal, any work here is free to use, with its own attributions, in educational and non-commercial applications.