No. 40 (2024)

View No. 40 (2024)

Published: 2024-04-01

Full Issue

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Expediente

1-2
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Editorial

Editorial

Valéria Faria dos Santos Tessari, Maria Claudia Bonadio

5-7
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Apresentação Dossiê

The plurality of indigenous dress: an intercultural and transdisciplinary proposal
DOI: https://doi.org/10.26563/dobras.i40.1812

Rita Morais de Andrade, Tuinaki Koixaru Karajá, Waxiaki Karajá, Indyanelle Marçal Garcia Di Calaça
Translations of this article: English

8-16
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The plurality of indigenous dress: an intercultural and transdisciplinary proposal

This article is a translation in English of the article: Os vestires plurais dos povos originários: uma proposta intercultural e transdisciplinar

17-24
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Dossier

Beautiful as always: the Karajá ladies, their garments and body care
DOI: https://doi.org/10.26563/dobras.i40.1684

Lilian Brandt Calçavara

25-50
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Some theoretical reflections on indigenous dress in Colonial Brazil
DOI: https://doi.org/10.26563/dobras.i40.1813

Roberta Marx Delson

51-66
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Fashion and its decolonial teaching acting as enchantment technologies, preserving indigenous clothing nowadays
DOI: https://doi.org/10.26563/dobras.i40.1702

Julia Vidal, Júlia Muniz de Souza

67-87
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Slow Design in collaborative fashion design practice with Kaingang women artists: tensions from the decolonial perspective
DOI: https://doi.org/10.26563/dobras.i40.1701

Miruna Raimundi de Gois, Daniela Novelli

88-114
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Researching Fashion in Abya Yala: Lessons learned from Native American art studies aprendizajes de los estudios del arte nativo-americano
DOI: https://doi.org/10.26563/dobras.i40.1682

Laura Beltrán-Rubio

115-130
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Yawanawá: the meeting with fashion design and globalization
DOI: https://doi.org/10.26563/dobras.i40.1683

Mariana dos Santos Couto, Fernanda de Abreu Cardoso

131-149
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Interview

Vestir-se de almas ancestrais: Glicélia Tupinambá aponta o caminho
DOI: https://doi.org/10.26563/dobras.i40.1814

Rita Morais de Andrade

150-161
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Exposição Virtual

The Flight of the Manto and the Landing of the Manto: A Journey through Tupinambá Memory in a report on the exhibition Manto em Movimento
DOI: https://doi.org/10.26563/dobras.i40.1817

Glicéria de Jesus da Silva

162-188
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Reviews

Ixitkydkỹ: a look at women’s traditional indigenous dress from Iny Karajá
DOI: https://doi.org/10.26563/dobras.i40.1818

Indyanelle Marçal Garcia Di Calaça, Tuinaki Koixaru Karajá, Waxiaki Karajá

189-198
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Seams

The eyes of kaionã and the arts of LUÁ Pataxó
DOI: https://doi.org/10.26563/dobras.i40.1819

Rita Oliveira Pataxó, Talita Tamykuã Pataxó

199-204
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Navura - Drinking Indigenous Fashion: From the Sands of Fortaleza’s Beira-Sea to the
DOI: https://doi.org/10.26563/dobras.i40.1820

Rodrigo Tremembé

205-209
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Opening the Capanga of Aruanda: cosmographies of the encounter with the Tupinambá and Terra Vista Settlement living schools
DOI: https://doi.org/10.26563/dobras.i40.1821

Cacá Fonseca, Laura Castro

210-229
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Articles

Seventy Years of Fashion History in São Paulo, Brazil (1950-2020)
DOI: https://doi.org/10.26563/dobras.i40.1763

Natália de Noronha Santucci, Paulo Gabriel Alves

230-265
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Decolonial paths in fashion studies: race, gender and a concept under review
DOI: https://doi.org/10.26563/dobras.i40.1795

Natalia Epaminondas

266-292
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“I truly respect my tears, but even more my laughs”: fashion artifacts, identification processes and style construction of gay Bear fashion style in Recife
DOI: https://doi.org/10.26563/dobras.i40.1678

Tatalina Oliveira

293-313
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Contributions of psychological dimensions for environmental management in a jeans industry: a case study
DOI: https://doi.org/10.26563/dobras.i40.1681

Larissa Aparecida Wachholz, Rute Grossi-Milani, Maria de los Angeles Perez Lizama

314-343
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Galeria

Galeria

Hawalari Sandoval Coxini, Rafaella Sandoval Coxini Karajá, Kathellen Timoteo Matos, Wanessa Ribeiro Ferreira

343-353
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