Vol. 18 No. 43 (2025)

A capa apresenta a palavra "dobras" em destaque.

DOI: https://doi.org/10.26563/dobras.v18i43

Published: 2025-04-01

Full Issue

PDF (Português (Brasil))

Expediente

2-2
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Editorial

Novo ano, novas energias
DOI: https://doi.org/10.26563/dobras.v18i43.1936

Valéria Faria dos Santos Tessari, Felipe Goebel

5-5
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Apresentação Dossiê

Moda e Figurino transversalidades na pesquisa, no processo e na criação
DOI: https://doi.org/10.26563/dobras.v18i43.1937

Ana Cleia Christovam Hoffman, Desirée Bastos de Almeida, Rosane Muniz Rocha

7-10
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Apresentação Imagens do Dossiê

Writing with clothes
DOI: https://doi.org/10.26563/dobras.v18i43.1938

Luiza Marcier

11-12
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Dossier

The Costume as a Mask of Identity
DOI: https://doi.org/10.26563/dobras.v18i43.1859

Glauber Soares Junior, Fabiano Eloy Atílio Batista

13-33
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The Costume Design in Recife’s Film Production An Ethnographic Immersion and the Practice of Interview-Classes
DOI: https://doi.org/10.26563/dobras.v18i43.1897

Álamo Bandeira Miguel, Walter Franklin Marques Correia, Oriana Maria Duarte de Araújo

34-52
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Costume and Fashion Design by Marília Carneiro, in the soap opera Dancin’Days
DOI: https://doi.org/10.26563/dobras.v18i43.1875

Madson Luis Gomes de Oliveira, Valéria de Oliveira Barros

53-72
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“Quem Ama Não Mata” The costume of a “guilty” victim and its counterpoints
DOI: https://doi.org/10.26563/dobras.v18i43.1880

Laise Lutz Condé de Castro

73-92
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Iberê Camargo’s artistic talents in creating the costumes for the ballet “As Icamiabas”
DOI: https://doi.org/10.26563/dobras.v18i43.1893

Ana Cleia Christovam Hoffman

93-103
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Between Carnival and everyday life a personal presentation aesthetic of the Bate-bolas and Bate-boletes personas
DOI: https://doi.org/10.26563/dobras.v18i43.1883

Priscila Andrade-Silva, Nilton Gonçalves Gamba Junior

114-136
- PDF (Português (Brasil))
The representation of absence costume scenography of mid-life women
DOI: https://doi.org/10.26563/dobras.v18i43.1894

Hilary Baxter

137-160
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Visual metamorphoses the role of scenery and lighting in the composition of stage costumes in live perfomance
DOI: https://doi.org/10.26563/dobras.v18i43.1878

Leônidas Garcia Soares

161-174
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Performing the costume in scenographies of the body Designing in the expanded field
DOI: https://doi.org/10.26563/dobras.v18i43.1887

Mahatma Ordaz Domínguez

175-188
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The process of creating costumes for a video game and the importance of professionals in the field
DOI: https://doi.org/10.26563/dobras.v18i43.1882

Clara Pache, Rafaela Norogrando

189-206
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Fashion as source of information a technical approach to the organization and documentary representation of costumes
DOI: https://doi.org/10.26563/dobras.v18i43.1874

Maria Cecilia Jardim Barros

207-228
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O Toró, by Shakespeare an academic experience in the development of costumes for the theatrical market by students from the School of Design (UEMG)
DOI: https://doi.org/10.26563/dobras.v18i43.1879

Yuri Simon da Silveira, Maria Regina Álvares Correia Dias, Giselle Hissa Safar

229-246
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Analysis of stage costumes methodologies in Brazilian studies
DOI: https://doi.org/10.26563/dobras.v18i43.1877

Luciana Crivellari Dulci

247-265
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Bricolage in costume design teaching and artistic production practices.
DOI: https://doi.org/10.26563/dobras.v18i43.1886

João Dalla Rosa Júnior

266-289
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Costume Design visual elements for generating characters
DOI: https://doi.org/10.26563/dobras.v18i43.1890

Aline Barbosa da Cruz Prudente

290-305
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Galeria

Galeria
DOI: https://doi.org/10.26563/dobras.v18i43.1939

dObras

307-317
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