From Nymph to ragpicker: fallen drapery, between fashion remains and traces of Art
DOI:
https://doi.org/10.26563/dobras.i36.1606Keywords:
Nymph, Violence, Femine body, Drapery, RagpickerAbstract
This paper presents a view about the Nymph in the History of Art and intends to offer reflections on female bodies and traces of human development. According to Georges Didi-Huberman, the mythological figure of the Nymph is understood either as a female body or as draperies lying on the floor and detached from a body. The reflection on the character becomes an instrument to talk about the female body, which is impregnated with meanings, the movement of time and the fall of the Nymph, in addition to the violated or subversive body. On the other side we have the cloths separated from the body.
Like still lifes, they rot on the ground and bear witness to stories of violence and oblivion.
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