Vol. 9 No. 20 (2016)

					View Vol. 9 No. 20 (2016)
Published: 2016-11-29
  • Apresentação

    DOI: https://doi.org/10.26563/dobras.v9i20.473

Dossier

  • A moda em movimento: a obra de Antoine Watteau (1684-1721) e as origens modernas de um fenômeno

    Laura Ferrazza de Lima
    8-25
    DOI: https://doi.org/10.26563/dobras.v9i20.474
  • 1920’s fashion in Brazil: a look in the caricatures of Belmonte

    Marissa Gorberg
    26-51
    DOI: https://doi.org/10.26563/dobras.v9i20.475
  • A imagem e o anacronismo nas páginas da Garotas do Alceu

    Daniela Queiroz Campos
    52-67
    DOI: https://doi.org/10.26563/dobras.v9i20.476
  • Fashions of ladies and girls: Alceu Penna’s collaborations in A Cigarra Magazine

    Jaqueline Moraes de Almeida
    68-93
    DOI: https://doi.org/10.26563/dobras.v9i20.477
  • Who is this mulatto woman? Alceu Penna ́s illustrations of the Brasil Export show (1972)

    Gabriela Ordones Penna
    94-115
    DOI: https://doi.org/10.26563/dobras.v9i20.478

Articles

  • Translation and transcreation in costume design

    Ana Carolina Acom
    116-127
    DOI: https://doi.org/10.26563/dobras.v9i20.479
  • Luchino Visconti, a mediator between fashion, memory and cinema

    Márcia Mendonça
    128-147
    DOI: https://doi.org/10.26563/dobras.v9i20.480
  • Forget me Knot – about rings and their materials

    Beatriz Ferreira Pires
    148-159
    DOI: https://doi.org/10.26563/dobras.v9i20.481
  • Tropicália: counterculture, fashion and behavior in the late 1960

    Patrícia Marcondes de Barros
    160-177
    DOI: https://doi.org/10.26563/dobras.v9i20.482
  • Fashion Mix: the exposition about the contribution of the immigrants to the parisian fashion

    Solange Riva Mezabarba
    178-192
    DOI: https://doi.org/10.26563/dobras.v9i20.483
  • “Dressed bodies”: the female silhouette (re)signified of Coco Chanel

    Letícia Formoso Assunção
    192-202
    DOI: https://doi.org/10.26563/dobras.v9i20.484
  • Besides the sizes: body and fashion in blogs

    Letícia Sarturi, Carla Cerqueira
    203-215
    DOI: https://doi.org/10.26563/dobras.v9i20.485
  • The plus size from the perspective of visual syntax: the need for improvement of the expression of the women that consume plus size clothing

    Amanda Prado Silva
    216-227
    DOI: https://doi.org/10.26563/dobras.v9i20.486
  • The exclusivity is the luxury of Recife’s city Designers: a study of the process of signification of concepts luxury and popular by designers from the capital of Pernambuco

    Maria Teres Lopes, Natália Cristina Barbosa
    228-243
    DOI: https://doi.org/10.26563/dobras.v9i20.487

Reviews

  • As roupas, as coisas e os conceitos: notas exploratórias sobre uma exposição de arte

    Mylene Mizrahi
    246-253
    DOI: https://doi.org/10.26563/dobras.v9i20.488
  • Um ar de excelência

    Mariana Christina Tavares Rodrigues
    254-262
    DOI: https://doi.org/10.26563/dobras.v9i20.489
  • Modelando o vestir do Brasil: resgate cultural e técnico do traje do século XIX

    Marizilda dos Santos Menezes
    263-267
    DOI: https://doi.org/10.26563/dobras.v9i20.490

Translations

  • Ferramentas poderosas para um manifesto da moda

    266-272
    DOI: https://doi.org/10.26563/dobras.v9i20.491
  • Joias Bijoux Sthéphane Mallarmé

    273-277
    DOI: https://doi.org/10.26563/dobras.v9i20.492