Vol. 12 No. 25 (2019)

View Vol. 12 No. 25 (2019)
Published: 2019-04-29

Full Issue

  • Expediente

    DOI: https://doi.org/10.26563/dobras.v11i25.871

Editorial

  • A moda, a arte e suas manifestações disruptivas

    Adriana Tulio Baggio, Maria Claudia Bonadio
    4-6
    DOI: https://doi.org/10.26563/dobras.v11i25.872

Dossier

  • A moda e suas manifestações disruptivas: dor, rebeldia e não-conformismo

    Juliana Schmitt, Maíra Zimmermann
    7-11
    DOI: https://doi.org/10.26563/dobras.v11i25.850

  • Pain and death in Spanish fashion. Mourning dress at the end of the 19th century

    Jose A. Ortiz
    12-37
    DOI: https://doi.org/10.26563/dobras.v11i25.851

  • Bearing the flesh and fleshing out the body. The use of drapery in Loie Fuller’s and Ola Maciejewska’s performances

    Marie Schiele
    38-52
    DOI: https://doi.org/10.26563/dobras.v11i25.852

  • The corset and the veil as disruptive manifestations of clothing: the tightlacer and the Tuareg

    Marilia Jardim
    53-74
    DOI: https://doi.org/10.26563/dobras.v11i25.853

  • Bodies that overcome the limit, exceed the border, overflow themselves

    Beatriz Ferreira Pires
    75-94
    DOI: https://doi.org/10.26563/dobras.v11i25.854

  • Women in the fight for emancipation: new clothing and new behaviors through the lenses of the Rio de Janeiro press – 1900-1914

    Cláudia de Oliveira
    95-110
    DOI: https://doi.org/10.26563/dobras.v11i25.855

  • Copies censorship in fashion industry

    Humberto Pinheiro Lopes
    111-128
    DOI: https://doi.org/10.26563/dobras.v11i25.856

  • The gray revolution: women (re)semantizing signs of ageing

    Denise Castilhos de Araujo
    129-143
    DOI: https://doi.org/10.26563/dobras.v11i25.857

  • Political dressing: wax hollandais as ethnic tools of afro-Brazilian identity affirmation

    Dandara Maia
    144-164
    DOI: https://doi.org/10.26563/dobras.v11i25.858

Articles

  • Resistance in fashion throughout time: punk movement and slow fashion

    Marta Sorelia Felix de Castro, José Clerton de Oliveira Martins, Karla Patrícia Martins Ferreira
    165-183
    DOI: https://doi.org/10.26563/dobras.v11i25.859

  • An enquiry on the Being of Fashion: The Philosophy of Clothes in Thomas Carlyle

    Ana Carolina Acom, Joana Bosak, Denise Moraes
    184-198
    DOI: https://doi.org/10.26563/dobras.v11i25.860

  • Social psychology & fashion: a feasible interface

    Francisco Nunes dos Reis Junior, Laura Novaes Andrade
    199-212
    DOI: https://doi.org/10.26563/dobras.v11i25.861

  • The studies of textiles in Brazil: a bibliometric research in Scielo database

    Maria Adircila Starling Sobreira
    213--229
    DOI: https://doi.org/10.26563/dobras.v11i25.862

Seams

  • A maquiagem tem um gênero? Olhares sobre a maquiagem masculina

    Catherine Lanoë, Thiago Mattos
    230-235
    DOI: https://doi.org/10.26563/dobras.v11i25.863

  • Incompreensões, desconfortos e escândalos na moda contemporânea

    Axel Moulinier
    236-246
    DOI: https://doi.org/10.26563/dobras.v11i25.864

Interview

  • ¡Rómpelo-tu-mismo! Histórias do punk argentino e outras rebeldias portenhas

    Juliana Schmitt
    247-252
    DOI: https://doi.org/10.26563/dobras.v11i25.865

  • ¡Rómpelo-tu-mismo! Historias del punk argentino y otras rebeldías porteñas

    Juliana Schmitt
    253--259
    DOI: https://doi.org/10.26563/dobras.v11i25.866

Reviews

  • Normas para Publicação

    286
    DOI: https://doi.org/10.26563/dobras.v11i25.870