Vol. 12 No. 26 (2019)

• Expediente

  DOI: https://doi.org/10.26563/dobras.v12i26.908

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Editorial

• dObra[s] with new Qualis Capes and new graphic project: the conjunction of form and content in promoting the visibility and recognition of scientific work

  DOI: https://doi.org/10.26563/dobras.v12i26.909

  Maria Claudia Bonadio, Adriana Tulio Baggio

  4-9

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Dossier

• Costume in times of war and guerrillas

  DOI: https://doi.org/10.26563/dobras.v12i26.910

  Fausto Viana, Sofia Pantouvaki

  10-14

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• The scene costume and the avant-garde performance manifestations in the early twentieth century

  DOI: https://doi.org/10.26563/dobras.v12i26.911

  Ana Carolina Ribeiro

  15-32

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• Wearing the invention: poetics of artistic guerrilla in collective actions

  DOI: https://doi.org/10.26563/dobras.v12i26.912

  Arianne Vitale Cardoso, Renato Bolelli Rebouças

  33-51

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• 1918.CH – 100th anniversary of Landesstreik: an insight into the creative process of retelling history through costumes

  DOI: https://doi.org/10.26563/dobras.v12i26.913

  Eva Butzkies

  52-66

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• Ghost dressing room: the costume re-elaborated in La Loge des Fratellini

  DOI: https://doi.org/10.26563/dobras.v12i26.914

  Maria Celina Gil

  67-83

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• Performance and ritual in the costumes of La Pocha Nostra’s Mapa/Corpo

  DOI: https://doi.org/10.26563/dobras.v12i26.915

  Sandra Regina Facioli Pestana

  84-108

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• Luís Antônio Gabriela: when the body is the costume

  DOI: https://doi.org/10.26563/dobras.v12i26.916

  Tainá Macêdo Vasconcelos

  109-122

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Articles

• Angels with dirty faces: punk, fashion, and contemporary iconoclasms

  DOI: https://doi.org/10.26563/dobras.v12i26.917

  Paula Guerra

  123-149

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• Man’s skirt as a discourse of power

  DOI: https://doi.org/10.26563/dobras.v12i26.918

  Ana Paula C. de Miranda, Leticia M. Casotti, Leandro P. Chevitarese

  150-166

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• Nerd fashion: consumption of heroes and villains, trend or passion?

  DOI: https://doi.org/10.26563/dobras.v12i26.931

  Marcus Dickson Oliveira Correa, Milena Castro

  167-182

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• The Brazilian fashion is young, white, and skinny: profile of stylists and models in SPFW between 2013 and 201

  DOI: https://doi.org/10.26563/dobras.v12i26.920

  Ana Caroline Siqueira Martins, Carla Cristina Siqueira Martins

  183-201

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• Cultural biography of a shirt: the dressed memory of Antoninha Berchon Sampaio

  DOI: https://doi.org/10.26563/dobras.v12i26.921

  Frantieska Huszar Schneid, Raphael Castanheira Scholl

  202-226

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• Appearance: a literature review and conceptual proposal

  DOI: https://doi.org/10.26563/dobras.v12i26.922

  Patrícia Da Silva Yokomizo, Andrea Lopes

  227-244

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• Design and context: thinking openly in fashion

  DOI: https://doi.org/10.26563/dobras.v12i26.923

  Elisabeth Lorenzi Fernández, Maria Celeste Sanches

  245-262

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Seams

• On how I met costume designer Pam Tait in Surrey, United Kingdom

  DOI: https://doi.org/10.26563/dobras.v12i26.924

  Fausto Viana

  263-268

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• Sleeping with the enemy: personal processes and the creation of a costume designer in times of personal wars

  DOI: https://doi.org/10.26563/dobras.v12i26.925

  Pam Tait

  269-272

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Reviews

• A fotografia de casamento como fonte, documento e chave de leitura em uma investigação

  DOI: https://doi.org/10.26563/dobras.v12i26.926

  Caroline Müller

  273-279

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• “Genderless, ageless, nationless, limitless”: for a historical exhibition of fashion as a device of identity reinvention

  DOI: https://doi.org/10.26563/dobras.v12i26.927

  Tálisson Melo de Melo

  280-284

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• Under the sign of appearances: urban carioca clothing in the first half of the 20th century

  DOI: https://doi.org/10.26563/dobras.v12i26.928

  Laura Ferrazza de Lima

  285-288

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• Índice de fotos, por Letícia Godoy

  DOI: https://doi.org/10.26563/dobras.v12i26.929

  289-291

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• Guidelines for submitting articles, interviews, and reviews to dObra[s]

  292-302

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