Vol. 11 No. 24 (2018)

View Vol. 11 No. 24 (2018)
Published: 2018-12-05

Full Issue

Editorial

  • Do regional ao internacional, do singular ao plural

    Maria Claudia Bonadio, Adriana Tulio Baggio
    4-7
    DOI: https://doi.org/10.26563/dobras.v11i24.768

Dossier

  • Apresentação Dossiê: Il fashion designer e la storia della moda. I discorsi, gli approcci e i modelli interpretativi

    Alessandra Vaccari
    9--13
    DOI: https://doi.org/10.26563/dobras.v11i24.769

  • Apresentação Dossiê

    Ivana Guilherme Simili
    14-17
    DOI: https://doi.org/10.26563/dobras.v11i24.770

  • In the heart of fashion: Thierry’s experience as a fashion designer

    Giulia Mensitieri
    18-32
    DOI: https://doi.org/10.26563/dobras.v11i24.771

  • Fashion and memory: the work of Rui Spohr

    Renata Fratton Noronha
    33-50
    DOI: https://doi.org/10.26563/dobras.v11i23.772

  • Nanni Strada’s Mappamodello: “bring[ing] together different worlds at the design phase”

    Vittoria Caterina Caratozzolo
    51-65
    DOI: https://doi.org/10.26563/dobras.v11i24.773

  • The rhetorical construction of Christian Dior’s fashion: an essay on sucession issues analizing the documentary film Dior & I

    Lívia Stroschoen Pinent
    66-79
    DOI: https://doi.org/10.26563/dobras.v11i24.774

  • Less than Zero. Impersonal Affect in Hedi Slimane’s Auteurial Style

    Roberto Filippello
    80-100
    DOI: https://doi.org/10.26563/dobras.v11i24.775

Articles

  • Fashion, gender and upward social mobility. Women´s involvement in haute couture: from seamstresses to renowned professionals

    Maria Lucia Bueno
    101-130
    DOI: https://doi.org/10.26563/dobras.v11i24.776

  • Elsa Schiaparelli and the Art World

    Aline Barbosa da Cruz Prudente
    131-145
    DOI: https://doi.org/10.26563/dobras.v11i24.777

  • Charles Frederick Worth: fragments of a trajectory

    Paulo Debom
    146-166
    DOI: https://doi.org/10.26563/dobras.v11i24.778

  • The modernists and the clothes

    Carolina Casarin
    167-186
    DOI: https://doi.org/10.26563/dobras.v11i24.779

  • Study of the paradoxes of fashion

    Laura Luceño Casals
    187-201
    DOI: https://doi.org/10.26563/dobras.v11i24.780

  • Transmedia storytelling: analysis of the Arezzo brand advertising campaign

    Thaissa Schneider, Berenice Santos Gonçalves
    202-221
    DOI: https://doi.org/10.26563/dobras.v11i24.781

  • Design management for sustainability in the third sector: a proposal for the Women’s Network to Combat Cancer of Indaial

    Caroline Hadlich, Anna Luiza Moraes de Sa Cavalcanti
    222-246
    DOI: https://doi.org/10.26563/dobras.v11i24.782

  • Sharing of knowledge in the context of fashion college education: case study

    Maria Helena Ribeiro de Carvalho, Paula Piva Linke, Letícia Fleig del Forno, Paulo Marcelo Ferraresi Pegino
    247-271
    DOI: https://doi.org/10.26563/dobras.v11i24.783

  • Contributions of knowledge of modeling for the construction of project thinking in fashion design.

    Thassiana de Almeida Miotto Barbosa, Lucimar de Fátima Bilmaia Emídio
    272-287
    DOI: https://doi.org/10.26563/dobras.v11i24.784

Seams

  • Territórios de saber e nostalgia na escrita de memória de designers de moda modernos

    Ilya Parkins
    288-306
    DOI: https://doi.org/10.26563/dobras.v11i24.785

  • A alta-costura como auto/biografia queer

    Christopher Breward
    307-320
    DOI: https://doi.org/10.26563/dobras.v11i24.786

Interview

Reviews

  • The moving image as a creative and communicative instrument for fashion designers in the XX and XXI centuries: a didatic approach for fashion

    Débora Russi Frasquete
    338-345
    DOI: https://doi.org/10.26563/dobras.v11i24.788

  • An exhibition, many women, countless reflections: “The stories of women from Museu Paranaense’s collection”

    Beatriz Polidori Zechlinski
    346-352
    DOI: https://doi.org/10.26563/dobras.v11i24.789

  • The sacred and profane: mediation by fashion

    Paula Rafaela da Silva
    353-359
    DOI: https://doi.org/10.26563/dobras.v11i24.790

  • “Yes! Nós temos biquíni”: an exhibition to think about the relations between fashion, body, art and city

    Rosane Feijão
    360-365
    DOI: https://doi.org/10.26563/dobras.v11i24.791

  • A importância do traje na obra de Watteau

    Maria de Fatima Mattos
    366-370
    DOI: https://doi.org/10.26563/dobras.v11i24.792