Vol. 11 No. 24 (2018)

• Expediente

  • PDF (Português (Brasil))

Editorial

• Do regional ao internacional, do singular ao plural

  DOI: https://doi.org/10.26563/dobras.v11i24.768

  Maria Claudia Bonadio, Adriana Tulio Baggio

  4-7

  • PDF (Português (Brasil))

Dossier

• Apresentação Dossiê: Il fashion designer e la storia della moda. I discorsi, gli approcci e i modelli interpretativi

  DOI: https://doi.org/10.26563/dobras.v11i24.769

  Alessandra Vaccari

  9--13

  • PDF (Italiano)

• Apresentação Dossiê

  DOI: https://doi.org/10.26563/dobras.v11i24.770

  Ivana Guilherme Simili

  14-17

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• In the heart of fashion: Thierry’s experience as a fashion designer

  DOI: https://doi.org/10.26563/dobras.v11i24.771

  Giulia Mensitieri

  18-32

  • PDF (Français (France))

• Fashion and memory: the work of Rui Spohr

  DOI: https://doi.org/10.26563/dobras.v11i23.772

  Renata Fratton Noronha

  33-50

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• Nanni Strada’s Mappamodello: “bring[ing] together different worlds at the design phase”

  DOI: https://doi.org/10.26563/dobras.v11i24.773

  Vittoria Caterina Caratozzolo

  51-65

  • PDF (Italiano)

• The rhetorical construction of Christian Dior’s fashion: an essay on sucession issues analizing the documentary film Dior & I

  DOI: https://doi.org/10.26563/dobras.v11i24.774

  Lívia Stroschoen Pinent

  66-79

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• Less than Zero. Impersonal Affect in Hedi Slimane’s Auteurial Style

  DOI: https://doi.org/10.26563/dobras.v11i24.775

  Roberto Filippello

  80-100

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Articles

• Fashion, gender and upward social mobility. Women´s involvement in haute couture: from seamstresses to renowned professionals

  DOI: https://doi.org/10.26563/dobras.v11i24.776

  Maria Lucia Bueno

  101-130

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• Elsa Schiaparelli and the Art World

  DOI: https://doi.org/10.26563/dobras.v11i24.777

  Aline Barbosa da Cruz Prudente

  131-145

  • PDF (Português (Brasil))

• Charles Frederick Worth: fragments of a trajectory

  DOI: https://doi.org/10.26563/dobras.v11i24.778

  Paulo Debom

  146-166

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• The modernists and the clothes

  DOI: https://doi.org/10.26563/dobras.v11i24.779

  Carolina Casarin

  167-186

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• Study of the paradoxes of fashion

  DOI: https://doi.org/10.26563/dobras.v11i24.780

  Laura Luceño Casals

  187-201

  • PDF (Español (España))

• Transmedia storytelling: analysis of the Arezzo brand advertising campaign

  DOI: https://doi.org/10.26563/dobras.v11i24.781

  Thaissa Schneider, Berenice Santos Gonçalves

  202-221

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• Design management for sustainability in the third sector: a proposal for the Women’s Network to Combat Cancer of Indaial

  DOI: https://doi.org/10.26563/dobras.v11i24.782

  Caroline Hadlich, Anna Luiza Moraes de Sa Cavalcanti

  222-246

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• Sharing of knowledge in the context of fashion college education: case study

  DOI: https://doi.org/10.26563/dobras.v11i24.783

  Maria Helena Ribeiro de Carvalho, Paula Piva Linke, Letícia Fleig del Forno, Paulo Marcelo Ferraresi Pegino

  247-271

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• Contributions of knowledge of modeling for the construction of project thinking in fashion design.

  DOI: https://doi.org/10.26563/dobras.v11i24.784

  Thassiana de Almeida Miotto Barbosa, Lucimar de Fátima Bilmaia Emídio

  272-287

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Seams

• Territórios de saber e nostalgia na escrita de memória de designers de moda modernos

  DOI: https://doi.org/10.26563/dobras.v11i24.785

  Ilya Parkins

  288-306

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• A alta-costura como auto/biografia queer

  DOI: https://doi.org/10.26563/dobras.v11i24.786

  Christopher Breward

  307-320

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Interview

• Processo criativo do “Moda para Todos”. Uma experiência criativa e colaborativa com o designer João Pimenta

  DOI: https://doi.org/10.26563/dobras.v11i24.787

  Rogério Ortiz, Kathia Castilho

  321-337

  • PDF (Português (Brasil))

Reviews

• The moving image as a creative and communicative instrument for fashion designers in the XX and XXI centuries: a didatic approach for fashion

  DOI: https://doi.org/10.26563/dobras.v11i24.788

  Débora Russi Frasquete

  338-345

  • PDF (Português (Brasil))

• An exhibition, many women, countless reflections: “The stories of women from Museu Paranaense’s collection”

  DOI: https://doi.org/10.26563/dobras.v11i24.789

  Beatriz Polidori Zechlinski

  346-352

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• The sacred and profane: mediation by fashion

  DOI: https://doi.org/10.26563/dobras.v11i24.790

  Paula Rafaela da Silva

  353-359

  • PDF (Português (Brasil))

• “Yes! Nós temos biquíni”: an exhibition to think about the relations between fashion, body, art and city

  DOI: https://doi.org/10.26563/dobras.v11i24.791

  Rosane Feijão

  360-365

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• A importância do traje na obra de Watteau

  DOI: https://doi.org/10.26563/dobras.v11i24.792

  Maria de Fatima Mattos

  366-370

  • PDF (Português (Brasil))