No. 41 (2024)

					View No. 41 (2024)
Published: 2024-08-01

Editorial

Apresentação Dossiê

Dossier

  • Notes on queer and camp in fashion

    Paulo de Oliveira Rodrigues Junior
    13-37
    DOI: https://doi.org/10.26563/dobras.i41.1770
  • Visual gender markers: fashion and subversion in the public space

    Roney Gusmão
    38-54
    DOI: https://doi.org/10.26563/dobras.i41.1863
  • Lace and velvet: gender issues from the Eufrasia Teixeira Leite’s redingote in the end of the 19th century

    Flávio Oscar Nunes Bragança
    55-72
    DOI: https://doi.org/10.26563/dobras.i41.1724
  • The Little Lords: Analysis of male children’s fashion in the first half of the 20th century (1905-1958)

    Isabela Brasil Magno
    73-96
    DOI: https://doi.org/10.26563/dobras.i41.1761
  • Men’s fashion and the expression of gender and sexuality: new trends counterpointing the gender binary

    Frederico Rafael Sousa, Luana Elayne Souza
    97-116
    DOI: https://doi.org/10.26563/dobras.i41.1744
  • Unisex fashion in Pop, the first youth magazine in Brazil (1970s)

    Maureen Schaefer França, Marinês Ribeiro dos Santos
    117-143
    DOI: https://doi.org/10.26563/dobras.i41.1718
  • Neither blue nor pink: discoursives estrategies in the communication arena of the consumption of agender fashion

    Carina Borges Rufino
    144-166
    DOI: https://doi.org/10.26563/dobras.i41.1865
  • Gender performativity: fashion brands’ Instagram as a political locus?

    Iracema Tatiana Ribeiro Leite Justo, Hans Waechter, Flávia Zimmerle da Nóbrega Costa
    167-194
    DOI: https://doi.org/10.26563/dobras.i41.1771
  • Fat body, gender and fashion: an analysis of non- standard female and male bodies in fashion brands

    Vírnia Martins, Fernanda Carrera
    195-217
    DOI: https://doi.org/10.26563/dobras.i41.1757
  • “Who Brought Transvestite Fashion to Brazil”?: Theaters, hormones and subjectivities (1950-1960).

    Paulo Vitor Guedes de Souza
    218-241
    DOI: https://doi.org/10.26563/dobras.i41.1673
  • Performing the norm: an anthropological reading of Clóvis Bornay’s fantasies

    Thiago Barcelos Soliva
    242-263
    DOI: https://doi.org/10.26563/dobras.i41.1734
  • Passability is a cisgender comfort: fashion, protection and trans invisibility in the artistic thinking of Maria Lucas and Renata Carvalho

    Emerson Silva Meneses, Martin Jayo
    264-277
    DOI: https://doi.org/10.26563/dobras.i41.1732
  • The fictional weave of the body, gender and fashion: a look at the drag experience

    Rafaela Lins Travassos Sarinho, Carlos Eduardo Félix da Costa
    278-291
    DOI: https://doi.org/10.26563/dobras.i41.1721
  • Threads that weave resistance – Sonia Gomes’ ancestral thread by thread

    Lucia Santiago
    292-315
    DOI: https://doi.org/10.26563/dobras.i41.1866
  • The boy at the Candomblé ceremony and his headscarf: reflections on (un)desirable homosexualities

    Diogo Coutinho Iendrick
    316-330
    DOI: https://doi.org/10.26563/dobras.i41.1714

Articles

  • PETA's runway crashers seen through performance studies: analysis of an activist practice on the stages of the fashion industry

    Daniel Rossmann Jacobsen
    331-354
    DOI: https://doi.org/10.26563/dobras.i41.1794
  • Strengthening Ties: intergenerational Influences Between Mothers and Daughters in the Context of Lolita Fashion Consumption in Brazil

    Mariana Ferreira Pinto, Marcelo de Rezende Pinto
    355-375
    DOI: https://doi.org/10.26563/dobras.i41.1709
  • Mary Queen of Scots, Denim in the Josie Rourke biopic

    Marcos Aurélio de Mato
    376-401
    DOI: https://doi.org/10.26563/dobras.i41.1759
  • Each place with its thing: from the family album to the materiality of clothing

    Thais Dyck dos Santos Lima, Ronaldo de Oliveira Corrêa
    402-422
    DOI: https://doi.org/10.26563/dobras.i41.1758
  • Transition to sustainability in authorial fashion: a perspective from the circular economy

    Lívia Antonelli e Silva, Danielle Denes-Santos, Priscila da Paz Vieira
    423-448
    DOI: https://doi.org/10.26563/dobras.i41.1672
  • Fashion and Material Agency

    Julia Valle Noronha
    449-462
    DOI: https://doi.org/10.26563/dobras.i41.1834